The world, musical or not, is celebrating Placido Domingo's 70th birthday. All the accolades we are hearing are true: immense repertory, rock-solid technique, unique capability for phrasing, presence and acting skills, ...
There is though one quality which has not been so discussed which I would like to mention: when Domingo is on stage, he does not play the star, he actually makes other singers perform better. Like say Michael Jordan in Basketball, the overall level raises.
One personal memory, I heard him in what could have been his last Bohème in New York in February1991. Mimi was sung by the Korean Soprano who Hei-Kyung Hong. It is Rodolfo who has the first lines of the marvellous Act 1 duo O Suave Fanciulla.When Mimi entered, Hong did not have a volume that matched Domingo (and there may not have been tons of rehearsals) but in a split-second, Domingo had adapted to his partner and ensured that we had a glorious balanced duo.
This unique artistry from a once in a lifetime singer.
There is though one quality which has not been so discussed which I would like to mention: when Domingo is on stage, he does not play the star, he actually makes other singers perform better. Like say Michael Jordan in Basketball, the overall level raises.
One personal memory, I heard him in what could have been his last Bohème in New York in February1991. Mimi was sung by the Korean Soprano who Hei-Kyung Hong. It is Rodolfo who has the first lines of the marvellous Act 1 duo O Suave Fanciulla.When Mimi entered, Hong did not have a volume that matched Domingo (and there may not have been tons of rehearsals) but in a split-second, Domingo had adapted to his partner and ensured that we had a glorious balanced duo.
This unique artistry from a once in a lifetime singer.